Yes, folks, it's that time of year again -- my annual review of the top 11 new albums I've enjoyed most during the past year.
In past years, I've always faced a nagging problem: I'll happen to discover amazing albums that were released during the previous year, but which escaped my notice at the time, which always leaves me wishing I could re-do my top 11 albums with the great finds that I inadvertently omitted.
In an attempt to remedy that error, this year I was as diligent as possible about keeping track of when new albums were going to be released and obtaining them as soon as possible. The upside was that I don't think I missed very many albums this time. The downside is that I have to make really tough choices in order to narrow down a list of about 30 albums. Needless to say, competition this year will be the fiercest yet.
Also, I'm introducing a new feature this year...a list of the top 11 songs of 2009 (to highlight some great songs that may have appeared independently or on albums that weren't quite stellar enough to make the cut). Check it out at the bottom.
So, without further ado...
[
(Annual) Disclaimer:These selections are not supposed to be "the" top albums of the year, hence the "my" in the title. In no way am I suggesting these albums are better than all other albums that were released this year. These are simply the ones that I
liked best.]1. Aim & Ignite
fun.
I'm not sure if Nate Ruess picked this band name out of a desire for a cheeky indie-sounding moniker, a lack of imagination, or pure laziness, but it also just might be the most appropriate label these guys could have chosen for themselves. Formed in 2008 by Ruess, former frontman of The Format, fun. is a huge upgrade for Ruess, in my opinion. (And yeah, I
liked The Format.) The unique arrangements are experimental, free-spirited, and...yes...fun, replete with lush horn and string sections, bright piano riffs, and tastefully accompanying gospel choirs. Lyrically, too,
Aim & Ignite impresses throughout, from the opening track "Be Calm," but perhaps best exemplified by the closing track, "Take Your Time (Coming Home)." And no, the fact that this album happened to be released on my birthday did not bias my decision. Much.
2. Daisy
Brand New
The line between insanity and brilliance has always been a razor-thin one, and Brand New fortunately comes down on the latter side of this edge with
Daisy. For example, it's hard to describe the bizarre opener, "Vices," which begins the album with over a minute of a scratchy old gospel recording (the second half of which closes the album) before suddenly exploding into a frenzied cacophony of sound behind Jesse Lacey's barely intelligible screaming vocals. Thankfully, the rest of the album is far less erratic, though this album, like Brand New's previous effort,
The Devil And God Are Raging Inside Me, takes a few listens before you can really get your mind around it. That said,
Daisy is a dark, brooding, blistering masterpiece. Following Brand New's daring musical evolution from album to album has been a breathtaking ride, and Lacey's lyricism in
Daisy is the most stunning yet, if also the most grim. An album that is best listened to while sitting in a dark room, or driving home alone at night through the backwoods of the northern Midwest.
3. The Long Fall Back To Earth
Jars of Clay
Jars shows why they continue to be one of my favorite bands of all time with their latest release, these guys prove that 16 years and 10 albums later, they've still got it. Jars has the distinction, in my mind, of being the band that consistently proves that Christian artists can make good music too. Unlike most of the other "original" contemporary Christian artists, Jars has never settled for making the same record twice, re-inventing themselves musically with each album, and succeeding on each step of their rock-pop-folk-bluegrass-electronica evolution. Dan Haseltine's songwriting has never been better ("Closer" taking the #1 spot for songs this year, see below), and the band's maturity shows -- it's pretty hard to put together 12 songs on a single album that are all genuinely awesome, but Jars pulled it off.
4. Ocean Eyes
Owl City
This album just makes me happy. In fact, I think you'd have to have a heart of cold, impenetrable stone to not enjoy this album at least a little bit.
Ocean Eyes is the sophomore album that The Postal Service never made, right down to Adam Young's voice, which is eerily similar to Ben Gibbard's. While Young's lyrical abilities aren't quite at the depth of Gibbard's yet, the two do share a knack for penning clever, witty lines. The unbelievably catchy synth and keyboard riffs Young manages to put together for nearly every track aren't too bad either. And you have to admit, for a solo project reportedly begun two years ago in his parents' basement as a result of insomnia -- and with a debut album now certified Gold -- it's pretty impressive.
5. (m)orning / (a)fternoon / (e)vening EPs
Mae
While this isn't technically an "album," per se, Mae's 2009 project deserves some recognition. After losing their keyboardist and bassist in late 2007 after the release of
Singularity, Mae was dropped by their record label, and most people probably assumed they'd finish out their tour and then fade into obscurity. But Mae's three remaining members weren't done yet. And so, in 2009, frontman Dave Elkins, along with guitarist Zach Gehring, and drummer Jacob Marshall embarked on an ambitious project -- "12 songs. 12 months. Make a difference." Each month, the band would release a new single on their website, which would be available for a minimum donation of $1. All proceeds would go to various charitable causes sponsored by the band. The proceeds from the songs on the first EP,
(m)orning, resulted in the successful completion of a Habitat for Humanity house for a needy family in the band's hometown of Virginia Beach, VA. Freed from the restrictions of making an album, Mae has written the songs they've felt like writing, including several longer than 7 minutes, one with a two-minute guitar solo ("The Fight Song") and even a 14-minute piano instrumental ("Seasons"). While the theft of all the band's equipment and instruments from their trailer in October has delayed the release of the final two songs of the
(e)vening EP, Mae's perseverance, selflessness, and dedication to their music -- and their community -- has inspired thousands of fans.
6. Mean Everything To Nothing
Manchester Orchestra
While their 2006 debut album,
I'm Like A Virgin Losing A Child, was pretty impressive, Manchester Orchestra has put themselves in another league with
Mean Everything To Nothing. While a bit darker and heavier than their previous release, the album hits all the right notes, from the energetic opener "The Only One," to the edgy "Shake It Out," the heavy riffs of "Pride," and the big power chords of "My Friend Marcus." The real highlights, however, are the catchy, rockin' single "I've Got Friends," and the beautiful, driving ballad "I Can Feel A Hot One" (#7 song, see below).
7. 11:11
Rodrigo y Gabriela
Rodrigo y Gabriela are proof that they still do make good music these days. The Mexican acoustic guitar duo of Rodrigo Sanchez and Gabriela Quintero have their jaw-dropping talent on display in full force in their latest release. To really grasp what you're listening to, I recommend checking out a few videos of the two playing live (like
this or
this), if only to watch in amazement at how fast their hands and fingers are moving. Also, they both used to play in a thrash metal band together, a fact I find both incredible and amusing.
8. New Again
Taking Back Sunday
A lot of TBS fans were unhappy with
New Again, but for the life of me I can't figure out why. No, TBS will never make
Tell All Your Friends again. Get over it. But I think this is a far better album than every other TBS album besides the debut, including
Louder Now. Filled with memorable choruses and crunching guitar riffs,
New Again showcases TBS's harder side, particularly on tracks like "Catholic Knees," "Cut Me Up Jenny," and "Carpathia." But it's not only on the high energy cuts like the title track opener or the single "Sink Into Me" -- the band shines on the album's lone ballad, "Where My Mouth Is." The highlight though, is undoubtedly the epic closing track, and one of my now all-time favorite TBS songs, "Everything Must Go." (#9 song below)
9. Everyone You Love Will Be Happy Soon
Quiet Company
With many thanks to a friend for the recommendation, I must say that the discovery of Austin, Texas-based Quiet Company was one of the best finds of the year.
Everyone You Love is pure, beautiful, piano-driven indie rock at its best, and with 15 tracks, you're getting your money's worth with this one. The piano of the opening track "A Nation of Two" grabs your attention, secures it with the danceable "It's Better To Spend Money," and pretty effectively keeps it for the remainder of the album, which never gets boring despite the number of tracks. The slow building rock-out at the end of "Well, The Truth Is" is worth checking out, as are the outstanding "On Husbands & Wives" and "On Modern Men."
10. Cycles
Cartel
Amid a plethora of extremely disappointing releases in the pop punk field this year, Cartel's
Cycles proves that the genre isn't quite dead yet. While there's nothing especially groundbreaking here lyrically, Cartel still manages to write enough interesting, catchy hooks and sing-able choruses to make this album very much worth listening to. The guitars are big (see "Deep South"), and there are power chords a-plenty, but the band puts together some impressive instrumentation behind Will Pugh's ever-impressive vocals. True, there's some filler sandwiched in the middle between the very good opening and closing few tracks, but this album will definitely get stuck in your head.
11. Say Anything
Say Anything
Let's just forget about that last album, okay guys? Say Anything returns to the catchy hooks of
...Is A Real Boy and finds success with this self-titled effort. Maybe it's because I wasn't expecting anything much from this album, but I was genuinely and pleasantly surprised by how good this album was both lyrically and musically. From the big guitar riffs of the single "Hate Everyone" to the oddly catchy pizzicato string instrumentation of "Do Better," Say Anything fills the album with the savvy, witty lyrics of Max Bemis -- and signals that they're back on the right track.
Honorable Mention:
The Resistance - Muse
Brand New Eyes - Paramore
Swoon - Silversun Pickups
Forget And Not Slow Down - Relient K
Stir The Blood - The Bravery
QU - Sherwood
Top 11 Songs of 2009 (with the help of my
last.fm profile)
1.
"Closer" - Jars Of Clay
2.
"On The Wing" - Owl City
3.
"Walking The Dog" - fun.
4.
"Destroyer" - Project 86
5.
"A Melody, The Memory" - Mae
6.
"Sink" - Brand New
7.
"I Can Feel A Hot One" - Manchester Orchestra
8.
"Finish What You Started" - Every Avenue
9.
"Everything Must Go" - Taking Back Sunday
10.
"The Few That Remain" (feat. Hayley Williams) - Set Your Goals
11.
"Alpha Dog" - Fall Out Boy